Choice
ID
Image
Painting (From A to Z)
Details
30374
The Four Horsemen of the Apocalypse
mk68
Manuscript illustration
London
c.1090-1109
Spain
77607
The Four Seasons Paying Homage to Chronos
ca. 1737(1737)
Oil on canvas
95 cm (37.4 in). Height: 75 cm (29.5 in).
cjr
30516
The Four Seasons with the Sun and the Moon
mk68
Four folds of a six-fold screen painting,
with gold and silver leaf,entire screen
4'10"x9'10"
London,British Museum
c.1575
Japan
30935
The Four Seasons with the Sun and the Moon
mk68
c.1575
43470
The Frontispiece
mk172
marking off the cloistered area is especially noteworthy for both the hewn stone moldings and for the distribution of colors
43423
The functions of the inverstidura of its Excelentisima
mk171
representative real,presidente,gobernador,superintendente general, capitan and
supreme commander
62821
The Funeral of Miltiades
1782 Oil on canvas, 98 x 136 cm Musee du Louvre, Paris This painting was seized during the French Revolution from the collection of the Comte d'Angiviller
73185
The Funfair at Night, Pont Aven
Oil painting reproduction of Ferdinand du Puigaudeau.
cjr
62529
The Fury of Athamas
1790-94 Marble Ickworth, Suffolk The marble group depicts the dramatic moment when Athamas, King of Thebes, snatches his son Learchus from his mother and smashes him against a wall. The fact that Ino, his second wife, thirsted for the blood of his children by her first wife had driven him mad. Author: FLAXMAN, John Title: The Fury of Athamas Form: sculpture , 1751-1800 , English , mythological
64332
the game of cards
late eighteenth century. stockholm
nationalmuseum
73268
The Garden at Kervaudu
Oil painting reproduction of Ferdinand du Puigaudeau.
cjr
48450
The garden at Oatlands Surrey
mk190
before the 9th Earl of Lincoln-s alter ations
1737
48524
The garden of Count Johann of Nassau-Idstein
lait out c.1650-70
48512
The Garden of Durdans House,Epson,Surrey Probably laid out in the 1630 and updated after 1660
nj190
1673
63557
The Garden of Eden
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt The other tree in the Garden is that of Knowledge, which is also the Tree of Death. It is embraced by the youthful St Sebastian, whose martyrdom (he was tied to a tree and killed by arrows) may be related to the crucifixion of Jesus. The figures sitting in front are easily recognizable by their attributes: the Archangel St Michael by the monkey-like monster cowering at his feet, who is the vanquished Satan himself; St George by his knightly clothes and by the corpse of the dragon, the embodiment of earthly wickedness.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
63558
The Garden of Eden
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt Mary appears in her usual colours, blue and red. Her attributes are illustrated by the flowers richly carpeting the foreground (lilies and lilies of the valley = purity; rose = illumination; violets = modesty and humility) . These flowers, which were also used for medicinal purposes, frequently became connected with the person of the Madonna. In a fourteenth-century poem from the Netherlands, surviving in manuscript form, twelve different flowers refer to Mary, eight of which can be found in this painting.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
63559
The Garden of Eden
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt Into the picture of love and undisturbed idyll enters music as the Child Jesus, assisted by St Catherine of Alexandria, plucks on a psaltery. Beyond expressing harmony, music in this picture also refers to the divine nature of this human Jesus. The duality of his being is also intimated by a cherry tree - here substituting for a tree of life - with its twin trunk and bough, from which St Dorothy picks fruit.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
63560
The Garden of Eden
1410 Tempera on wood St?delsches Kunstinstitut, Frankfurt The female figure wearing a white scarf and drawing from the water of life is St Barbara, whose humility and unshakable strong faith ties her closely to Mary.Artist:UNKNOWN MASTER, German Title: The Garden of Eden (detail) Painted in 1401-1450 , German - - painting : religious
48501
The Garden of Fontainebleau as Laid out
mk190
1614
48498
The Gardens of the Villa Farnese
mk190
Rome,Engraving
1675
48578
The Garte Knight is Probably Frederick
mk190
1737
49561
The German emperor Fellow WHISTLE had per heredity become harskare over one large valde,some include Spanien,Osterrike and Nederlanderna and also camp
mk201
He law in ensign fejd with protestanterna.Har am seeing wes him to haste behind a victory over nagra protestantiska furstar.Malning of the Italian renassanskonstnaren Tizian.
56794
The goldsmith shop
mk250 Year in 1449. Wood oil of about 99 x 86 cm. New York Metropolitan Museum of Art.
30356
The Good Shepherd
mk68
Fresco,
Rome
Catacombs of Saint
Domitilla,Basilica of Saints
Nereus and Achilleus
42575
The Good Shepherd
MK169
ca. 425 n. Chr. Mozaiek in the Mausolem of Galla Placidia Ravenna
78094
The Gossip
1900(1900)
Oil on canvas
52 x 73 cm (20.5 x 28.7 in)
cjr
62555
The Grandmother's Birthday
1856 Oil on panel, 71 x 58 cm Royal Collection, Windsor Waldmeller was the most important Austrian painter of the Biedermeier period during the first half of the nineteenth century. Within his lifetime he established a reputation in America, and there was a major exhibition of his work in London in 1862. He was proficient in most aspects of painting - miniatures, landscape, portraits and genre. His career within the art establishment was successful, but not without controversy. Appointed Professor at the Academy in Vienna in 1829, he was an advocate of realist painting and of reform, which led to his temporary dismissal from the post from 1857-64. Nonetheless, Waldmiiller was an effective teacher, an influential theorist, and an immensely popular artist within Viennese society and at court. His success as a painter stemmed from his powers of observation, from his measured style and his wholly sympathetic treatment of subject matter. The accumulation and faithful recording of detail led to an idealism based on the subject matter itself, as opposed to one imposed upon it by an outside order, this being a vital distinction between eighteenth- and nineteenth-century art. Rustic genre was the last theme that Waldmeller essayed. The subjects he chose extolled the moral virtues of rural life, or, as here, the joys of family life. The care taken over the rendering of garments, the still life and the surroundings is offset by the radiance of the figures' expressions, reinforced by their gestures which create a circular composition of great tenderness. Waldmeller was well-versed in the tradition of the Old Masters and the composition has affinities with several paintings by Raphael of the Holy Family - the Madonna Canigiani (Munich, Alte Pinakothek), the Madonna dell'Impannata (Florence, Palazzo Pitti), the Madonna of Francis I (Paris, Louvre) and the Madonna della Perla (Madrid, Prado). Waldmeller's homage to Raphael, however, is seen through the eyes of Correggio. Artist: WALDMeLLER, Fedinand Georg Title: The Grandmother's Birthday , painting Date: 1801-1850 Austrian : genre
52525
The Grandmother-s Birthday
1856 Oil on panel, 71 x 58 cm
64987
The Great Chronicle of France
1375 Illumination on parchment Biblioth?que Nationale, Paris The scenes on the picture illustrate the legend of the Trojan origin of the French. The upper two scenes show the siege of Troy. The codex was executed for Charles V King of France as indicated by the coat-of-arms held by the angels at the bottom of the page. , MINIATURIST, French , The Great Chronicle of France , 1351-1400 , French , illumination , historical
39842
The Great Kuttra at Dacca
mk153
ca.1812
Pencil on paper
34.6x49.5cm
49290
The Great Naval Battle at Memphis
mk195
1862
Oil on canvas
30x42
48529
The Great Parterre at Longleat
mk190
c.1700
75148
The Groenmarkt as seen towards the Westeinde
ca. 1765
Oil on panel
cjr
76966
The Groenmarkt as seen towards the Westeinde
Date ca. 1765
Medium Oil on panel
cyf
42600
The guest friendship of Abraham in the woods of Mamre, Page from the psalter of Lodewijk the Heijlige
MK169
1253-70 Parchment
21x14.5cm
45494
The guest meal of the here ode
mk186
around 1625 Munchen, old Pinakothek
72603
The H. M. S. Blonde, oil painting by Robert Dampier
The H. M. S. Blonde, oil painting by Robert Dampier, 1825, Washington Place
cjr
50902
The Haymakers
mk216
The passion for portraiture,so maked a feature of English laste in the 18th century.
30370
The Heavenly New Jerusalem,from Commentary on the Apocalyse by Beatus
mk68
Manuscrip illustration.
New York.
34143
The Hero Faramurz scatters the troops of the king of Kabul
mk90
illustration to Firdawsi\'s Book of Kings
34239
The hero Isfandiyar slays Arjasp the demonking in the Brazen Hold
mk90
Illustration to a manuscript of Firdawsi\'s Shah-Nameh for the Timurid prince Muhammad juki
Herat
c.1440
71884
The Highway Robbery
The Highway Robbery, Oil on oak panel, 31.6 x 46.4 cm, Detroit Institute of Arts, USA.
34252
The Hindu king Dabshalim visits Bidpay the Brahmin in his cave to learn the secret of the animal fables of Kalila and Dimna
mk90
Illustration,painted in Lahore or Agra between 1604 and 1610 by the Indo Muslim artist Abu I Hasan,for the Anwar i Suhayli
the Fifteenth century persian Rendition of the fables by Wa iz i Kashifi of Herat.
51114
The Holy Family with Angels
c. 1410
Tempera on wood,
25 x 19 cm
45887
The holy Georg and the dragon
mk178
Tempera on material plaster and wood 61x47cm
65061
The Holy Kinship
1410-40 Tempera on oak, 85,3 x 95 cm Wallraf-Richartz Museum, Cologne The depiction of the extended Holy Family ('Holy Kinship') on the central panel of the triptych introduces one of the most popular new themes for paintings at the beginning of the 15th century. All Christ's relatives are gathered together, following a description in the Golden Legend of 1263-73 by Jacopo da Voragine. , UNKNOWN MASTER, German , The Holy Kinship , 1401-1450 , German , painting , religious
65060
The Holy Kinship Altarpiece
1505-10 Oak, 144 x 187 cm Wallraf-Richartz Museum, Cologne The central panel of the Holy Kinship Altarpiece depicts the Holy Kinship. The subject of Christ's relatives had been very popular from the beginning of the 15th century. On the left-hand wing are Sts Nicasius and Roch with the Cologne donor Nicasius Hackeney, who ran the fiscal administration of the imperial court; on the right are Sts Gudule and Elizabeth with the donor's wife, Christina (n?e Hardenrath). On the exterior of the wings are Sts Hermolaus, Achatius and his followers on the left, and on the right Sts Cecilia, Genevieve, Helen and Catherine, each with members of the donor's family. The altar was probably a donation to the Dominican convent of St Achatius where one of the donor's daughters was a nun. The artist of the altarpiece is referred to as the Master of the Holy Kinship. , UNKNOWN MASTER, German , The Holy Kinship Altarpiece (central panel) , 1501-1550 , German , painting , religious
34092
The home of Augustus on the Palatine
mk88
34248
The hoopoe addresse the soul birds beneath the Tree of Life Springing up from the fount of life
mk90
While the devil as baffled hunter bites his finger
42052
The Hope Macarenz
mk166
Final of the wood Sculpture 17th century. Church of the Hope Macarena Seville, Espana
41847
The Hospitality of Abraham or The Trinity
mk165
around
1420
142x114cm
48555
The house and garden at CHiswick as Inherited
mk190
1716
48565
The House and garden at Stowe,as they were before Lord Cobham-s alterations of the 1720s
mk190
c.1680
75537
The house where Joseph Haydn was born
Description Haydn Geburtshaus Rohrau.jpg
Oil painting of Carl Bobies:The house where Joseph Haydn was born
Date original before 1897
cyf
71487
The Hudson at the Tappan Zee
ca. 1876(1876)
Oil on canvas
61 x 107.1 cm (24.02 x 42.17 in)
52753
The Hunt of all 15th-century
mk223
Italian painters
43440
The Ideological Position
mk172
Regarding the Indians in the New world gave rise to multiple debates attempting to explain a relity that was entirely new to Europeans.
57194
The illusion of youth
mk253 canvas 170 x 204 cm in 1953 in St. Petersburg, Russia museum
71435
The Illustrated Newspaper
ca. 1868(1868)
Oil on canvas
42.9 x 35.1 cm (16.89 x 13.82 in)
43438
The image of the Archangel
mk172
Michael alludes to the Spainards-stugle against Evil
27580
The immaculate conception
mk56
oil on alabastro fiorito,set within a verde antico border
75719
The Infanta Isabel Clara Eugenia
ca. 1570(1570)
Oil on canvas
116 ?? 102 cm (45.7 ?? 40.2 in)
cjr
64236
the infanta isabella clara eugenia
1584
madrid, prado
78174
The Infantes Don Alfonso
Date about 1613-1614
Medium Oil on canvas
Dimensions 48 13/16 x 38 3/4 inches
cyf
76405
The Infantes Don Alfonso el Caro and Doaa Ana Margarita
about 1613-1614
Oil on canvas
48 13/16 x 38 3/4 inches
cjr
43376
The informing of Montezuma
mk171
Pictografias of the memory, rcursos of the conscience
27587
The interior of a classical building,with soldiers guarding the entrance at the base of a set of steps
mk56
oil on canvas
Follower of Antonio joli
33053
The Intruders
nn08
42573
The Israelieten threaten to come in uprising and De steniging of Mozes
MK169
Aaron and jozua 432-40 n. Chr.
Mozaiek in the ship of the S. Maria Maggiore, Rome
44445
The Judgement of Paris
1430-40
Tempera on wood,
diameter 70 cm
45672
The Kaffeegeschaft
mk186
Venice, Museo Corret
34150
The Kalila and Dimna animal fables
mk90
Tabriz 1360-70
Istanbul University Library
f.1422
41781
The King Abgar Receiving the Mandylion,with the Saints Paul of Thebes
mk165
Antony
Basil and Ephrem
64209
the labours of the months
from tre's riches heures du duc de berry
27522
The lamentation
mk56
pair,both oil on panel
79905
The Land of Evangeline2
Oil on canvas, 33 x 45.5 in
Date 1874(1874)
cjr
35412
The Landing at Tanna Tana one of the new hebrides
mk102
c.1775-76
Oil on panel
24.1x45.7cm
50483
The Landscape of New England
mk212
oil on canvas
1851
36x53in
44845
THe Laocoon Group
mk176
Marble
Vatican Museum
Rome
57136
The last border checkpoint on a hotel
mk253 canvas 51.1 x 65.8 cm Moscow in 1868, the State Tretyakov Gallery collection
41858
The Last Judgement
mk165
Ukrainian National Museum
41889
The Last Judgement
mk165
From the Solvycegodsk Annunciation Cathedral
41901
The Last Judgement
mk165
53x42cm
The Stater Tretyakov gallery
41822
THe Last Judgement Novgorod School
mk165
162x115cm
29189
The Last Judgment
mk65
Tempera on panel
18x27 1/2"
64218
The Last Judgment
248 x 218 cm (centre), 248 x 94 cm (side panels) Koninklijk Museum voor Schone Kunsten, Antwerp The majestic arched composition, borrowed from Raphael, the scientific representation of the numerous, animated nude figures, and the dull, brownish but smooth colouring already point to the strongly Italianate tendency in the painting of Van Orley. The subject of the side panels is the Seven Acts of Mercy. , Artist: ORLEY, Bernaert van , The Last Judgment , 1501-1550 , Flemish , painting , religious
86784
The Last Judgment and the Wise and Foolish Virgins
Date 1450s and c. 1480
Medium Oil on oak panel
Dimensions Height: 65 cm (25.6 in). Width: 35 cm (13.8 in).
cjr
49227
The Last Meeting of Lee and Jackson
mk195
1869
Oil on canvas
102x74
71143
The last penny
1845(1845)
Oil on canvas
99 x 132 cm (38.98 x 51.97 in)
56790
The Last Supper
mk250 Louvain in Belgium, Saint Peter's Cathedral, in the year 1464-1468. Oil painting of wood, about 182.9 x 152.4 cm.
56810
The Last Supper
mk250 Florence, Italy, the Sisters of St. Apollonia Road House restaurant. Year in 1447. Frescoes 457 x 975.4 cm.
43484
THe Liberation of St. Peter
mk172
it is distinguished not only for the use of color and the dramatic effect of the interplay of light
65255
The Life of St Eulalia
1350 Tempera on wood Cathedral, Palma de Mallorca The altarpiece has a composition characteristic of 13th-14th century Sienese painting. The figures and the scenes show the strong influence of Pietro and Ambrogio Lorenzetti. The master of the altarpiece is referred to as the Master of the Privileges after he had illustrated the famous Majorcan Book of Privilegies of about 1334. Artist: UNKNOWN MASTER, Spanish , The Life of St Eulalia , 1301-1350 , Spanish , painting , religious
78564
The Little Parisienne
1883
cjr
43402
The look of the oto, between failures to meet up and cruelties
mk171
75021
The Love Birds
19th or early 20th century
Oil on canvas
68.3x45.4 cm
cjr
76773
The Love Birds
19th or early 20th century
Medium Oil on canvas
Dimensions 68.3x45.4 cm
cyf
37620
The Love Letter
mk127
27533
The madonna
mk56
oil on canvas
27508
The madonna and child
mk56
oil on panel